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Telephone Bidding Arrangements must be made no later than pm on Wednesday, April 7. Subject to availability. Absentee Bidding Arrangements must be made no later than pm on Thursday, April 8. Please call or register online at www. Friday, April 9 am - pm First Session: Lots Saturday, April 10 am - pm Pre-Registration, facial coverings and social distancing are required.
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Notwithstanding the foregoing, if within ten 10 calendar days after the purchase of any lot of Property, the Purchaser provides an opinion by a recognized authority on the artist and gives notice in writing to Scottsdale Art Auction, LLC that the lot is not authentic, and returns the purchased lot to Scottsdale Art Auction, LLC, within ten 10 days of its purchase in the same condition as when sold, then Scottsdale Art Auction, LLC will refund the full purchase price to the Purchaser.
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The highest bidder acknowledged by the Auctioneer shall be the Purchaser. In the event of any dispute between bidders, the Auctioneer will have absolute and final discretion to either determine the successful bidder or to re-offer and resell the Property item in dispute.
In addition, Purchaser may be required to sign a confirmation of purchase. All sales are final with no exchanges or returns. Unless exempted by law, the Purchaser will be required to pay any and all state and local tax pertaining to sales sales tax, transaction privileged, etc It is the Purchaser's responsibility to pay any applicable use tax imposed by their state of residence on the total purchase price.
In the event that sales tax has not been included in the invoiced amount and it is subsequently determined that Scottsdale Art Auction, LLC was required to collect sales tax in connection herewith, Purchaser shall reimburse Scottsdale Art Auction, LLC upon demand for any sales tax or equivalent accessed or due as a result of goods or services proveded by Scottsdale Art Auction, LLC hereunder, unless Purchaser provides Scottsdale Art Auction, LLC evidence of exemption from such taxes.
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Biding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person, by phone, by Internet, by absentee bid, or through a representative. In most instances, sculpture measurements do not include base. In measurements for two dimensional art, height precedes width and does not include frame. Bidding increments will normally follow the pattern below but may vary at the sole discretion of the Auctioneer.
Estimate Increment Estimate Increment Under 2, Arizonan when he made a fortuitous decision to jump ship in San Francisco. Later, while walking the railway lines from San Francisco to Los Angeles, Borg discovered Santa Barbara, where he would spend much of the rest of his life. In addition to becoming fast friends with Charles M.
Although known for a great variety of work, it was his paintings of Native Americans that have linked him affectionately to the Southwest and its cultures. After his death in , his ashes were scattered at the Grand Canyon.
Jim Mirabal White Eagle features one of the great Taos models, who can be seen prominently in the work of Walter Ufer. He painted in a high-contrast, realistic style that tended to exaggerate and emphasize facial details, including wrinkles, scruff on chins and jawlines, and old scars long since healed over. He also preferred to paint his figures in contemporary Hopi and Navajo clothing and accessories, from velvet shirts and hand-woven wool coats to silver and turquoise jewelry.
Abrams Inc. The work bears many similarities to the more realistic Blessing a New Day from , but This Was Our Home strips it of nearly all detail in order to render the motherdaughter forms as faceless spirits walking in lockstep amid the sand and sage.
And yet, her works are also hopeful and filled with color�refreshing qualities that add another dimension to her somber and evocative compositions. Raised by artists�with some help by the neighbors, Bob Kuhn Art 101 Wooden Sketch Box Easel For Sale and John Clymer�Monroe had completed her first commission at the age of 6.
After attending the Ringling School of Art in Sarasota, Florida, on a Hallmark Scholarship, she traveled heavily and documented what she laid eyes on. Early work was done in watercolor, though she later switched to oil painting.
She also completed sculpture pieces early in her career. After she died, in at the age of 50, her family set up an artist-in-residence program in her name at the National Museum of Wildlife Art in Jackson Hole, Wyoming. By the time he returned, America was in a Civil War, during which Walker fought briefly for the Confederates, and later was a cartographer for the South.
Though he lived and died in Charleston, Walker also spent time painting in Maryland and in New Orleans. In , Lovell moved to Santa Fe, New Mexico, where he would use his unique storytelling ability to paint sympathetic and nuanced pictures of Native Americans in the West. The son of German immigrants, the Cincinnati-born Hauser studied art and then traveled around Europe before eventually returning to Ohio in The following year he traveled to Arizona and New Mexico and was captivated by the people.
Like Henry Farny, a fellow Cincinnatian who he was often compared to, Hauser was captivated by Native American subjects. After a lengthy camping trip in the Rocky Mountains, he was inspired by the towering peaks and distant mountain ranges that were so easily accessible to him in Denver.
Mountains, particularly the Rocky Mountains, would become staples in his work until he moved to Laguna Beach, California, in , when he would begin painting coastal scenes. An illness would eventually force Black to relocate to Taos, New Mexico, in the s, a particularly robust period for the Western town. It was in Taos where Black was drawn to the Pueblo people, their customs and their lands. Using his quick, painterly style, Black painted evocative works that were full of life and humanity.
Further illness would eventually force him from Taos to Phoenix, where he took commissions for the Santa Fe Railway and he worked with Oscar E. He had previously visited the Southwest in the early s on assignment from National Geographic.
He was rejuvenated by his new surroundings and delighted in every new day. It was unglamorous work, but Reynolds made cowboying larger than life by showing its quiet authenticity.
After serving in World War II, Reynolds studied in Los Angeles and went to work in illustration, and later in dozens of films in many different positions. But the West was calling to him, so he abandoned Hollywood to go to Sedona, Arizona.
In short time he was asked to join the Cowboy Artists of America�the invitation would come from Joe Beeler and Charlie Dye�and he quickly made a name for himself with his honest and thoughtful depictions of cowboys and Native Americans. He had lived several full lives by the time he moved to California to become an artist. His works, almost all with horses, reveal a deep love for the creature.
He reportedly cried when the U. Cavalry retired horses. After coming out West, he joined the Cowboy Artists of America, where he commanded great respect during a vital period after its founding. A great deal of his career was spent at the famous Ranch, where he documented cowboy life, big and small. After the war, and after several devastating personal and professional setbacks, the Californiaraised, self-taught artist turned to art full time and quickly started soaring. His works�complexly composed and filled with figures, including cowboys, mountain men and Native Americans�would go on to win top prizes at the Masters of the American West, Prix de West and many other prominent museum shows.
But he would soar once he started painting the West. His work would be instantly recognizable for its high-action, large compositions of figures and his realistic textures, particularly the rock of the desert Southwest. Surely this would have been a more comfortable position after hours under the moonlight, and you can almost hear the crack and creak of the leather as the figure swings his leg over to Art 101 Wooden Sketch Box Easel Review better watch the ponies below him.
Notice the striations of blue skipping across the red in the distance; it was this kind of paint that drew comparisons to abstractionists and color field painters like Josef Albers, Mark Rothko and others. For Kuhn, though, what brought him to the wilderness were the animals themselves, and the moose was one of his finest subjects. In recent days, the white men seeking yellow metal have made their way into country that is sacred to these warriors and they fear that this is only the beginning of what may lead to a loss of this land of plenty.
The Sharpshooter tells a tale of the fur trade. On a trade blanket that covers a battered, half-seen wooden Art 101 Wooden Sketch Box Easel Video chest, empty possible bags blackened with age and use, a yellow powder horn, it's strap repaired with a bit of twine, snow shoes with hand tanned and twisted thongs, a skin of a fox perhaps and the meticulously cared for black powder rifle tell a tale without naming a single character in fur trade history.
The gun made by Kenner, a Maryland gunsmith, is the focus of the painting. The rubbed walnut of the stock, the blued engraving on the lock plate, the painted brass patch box cover, an ornate trigger guard and the lancewood rammer do more than attest to the gunsmith's art.
The rifle was the mountain man's most important possession. His rifle fed and protected him. Elevating everything else in the painting, it is a subject for speculation, what is in there?
A mountain man's wealth? His maps and journals? Or nothing more than a musk of the past, the faintest tang of wood smoke and whiskey, sweat and saltpeter, pelts and peril. Todish, Paramount Press Inc. Michael Dudash b. While much has been painted of the desert tribes in Arizona, the Plains Indians and the Pueblo People of New Mexico, Robert Griffing found many art opportunities in his own backyard, particularly with the Eastern Woodland Indians of the 18th century.
The Pennsylvania-based Griffing, who remembers scanning the shores of Pymatuning Lake as a boy looking for stone artifacts, started his career as an illustrator but devoted his life to Eastern Indian and frontier art beginning in The Natives served as lucrative outlets for European and even Asian-made items, while at the same time providing a source for desirable North American goods and resources, particularly animal skins and furs.
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