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Market Commentary. Download G10 FX Daily. Download CAD Weekly. Download Quick Notes. Download Forecast Summary. Download Monthly Outlook. Download Asian FX Update. Our Team. View Bio. The lower ground floor was dedicated as a entertainment space and was given a different feel to the rest of the house. A back stair case leads to the atmosphere of a dis-used underground station and a NY city loft. Bookshelfs at the bottom of the stairs are filled with old records, cassette tapes and videos as well as Cine 8 film projector.
Just off the lobby is the guest WC where we used a combination of peacock blue mosaic and gold glitter grout with brutalist sanitary ware from Antonio Lupi and a matching stainless steel WC and urinal from a manufacturer in the Czech Republic who supplies prisons!
In the bar area the ceiling was vaulted. Brick tiles were added to give that authentic look. The area consists of relaxation space with a giant serpentine sofa, little cocktail tables and old fashioned arcade games. Gold mesh curtains were hang. The piece de resistance is the bespoke feature light above the joinery. Just off the games area is the main wine storage room. The jewel in the crown is the Cinema: a symphony of red with large sofas and wing chairs in velvet and leather from Woodbrooke.
Each bedroom on the first floor was given its own identity and character. In the master bedroom, a false curved ceiling was created and soft recessed lighting was installed. The headboard wall was curved almost cocooning the bed and focusing the view out onto the countryside. The master suite had to be enchanting yet striking so we opted for a color scheme of cream, mint, soft pink, gold and lavender and tried to incorporate as many luxurious finishes as possible.
The ceiling is covered in a gold fabric, the walls were applied with pearlized paint and the feature headboard is hung in a print called the Secret Garden by Modern Love for Tektura. The en suite bathroom incorporates bold elements such as the purple onyx and gold bath, gold leaf wall covering from Muraspec on the ceiling as well as the 2. Brassware is by Waterworks. Guest suite one has a color based scheme. Added to this he included sea foam and peach with hints of rose gold.
En suite brassware from waterworks, lights by Kelley Wearstler from Visual Comfort. Guest suite two was based on a Japanese theme, while the scheme in Guest suite three is a modern take on an African theme.
On the picture the public spaces after renovation. Top left: the famous garden of the hotel. Below the entrance of La Mamounia in its glory days. Hotel La Mamounia in Marrakech, Morocco, became in the beginning of last century a magnet for adventurous, artists and celebrities alike. The hotel and the city developed into one of the places to been seen in the world for an illustrious crowd of rich and famous that travelled and partied in style.
It was a place with history, it was mysterious and an exotic and easy. It was a favorite place of Winston Churchill who called it Paris of the Sahara. He liked to spend his annual holiday at La Mamounia. Originally La Mamounia was a garden in the hearth of city of Marrakech, backed by the ramparts of the old town belonging to the Alawite Sultan Sidi Mohammed ben Abdallah and his wife Lala Fatima.
In the 18th century he designed the gardens for his son Prince Al Mamoun and offers them as a wedding gift. The Mamounia Pavillon was the first building in the garden. It was at that time that the idea of a Grand Hotel took shape. Albert Laprade signed some initial plans for the project, followed by a second designed by Robert Hare.
Both designs turned out to be unsuccessful. It was in that architects Prost and E. Marchisio started the hotel early designs with fifty rooms on one level for the prime contractor, the National Railways Office.
Jacques Majorelle decorated the salon. It occupied the central building with its unique Wing Koutoubia. Marrakech has always been a destination for fashion and design lovers, both for inspiration and for spectacular photo shoots and film productions, much thanks to the beautiful weather and great light all year round. Yves Saint Laurent came to Marrakech in the early s and immediately fell under the spell of the city with its magical Medina and exotic charm.
The star architect Bill Willis designed stunning homes for many of them, here on the edge of the desert. The landmark property is connected to the Majorelle Garden. Both properties are the original creation of French painter Jacques Majorelle who dedicated his life to create these enchanting gardens and houses.
This was the time that La Moamounia was the center of all rumble. In Alberto Pinto undertook a new renovation, but the hotel as it was, closed in The furniture, chairs, tables, lamps, clothes, and even horse-drawn carriages were auctioned. However, like a phoenix, it rose from its ashes and was revived. The design team transformed the legacy six-story, 55,square-foot former City Hall into a sophisticated destination. Located in the warehouse district near Lafayette Square, the building was originally designed by Allison Owen of Diboll and Owen Architects in the Italianate style, typical for turn-of-the-century buildings in New Orleans.
The restored monumental entry portico covered by an ornamental iron and glass canopy defines the entry into the building. The original historic grand stair was preserved and continues to function as the primary entry to the building. A new, bespoke concierge desk welcomes then guests. Along with a variety of original lighting fixtures and historic windows, colorful marble floors, and French wallpaper.
The furniture was especially curated fort the place and includes skirted armchairs, copper-topped tables, and elaborate Roman mosaic tile baths.
The hotel offers 67 guest rooms, a private guest lounge and dining room, plus support spaces. Each guest room is set back from the shared hallway by an interior vestibule. Above: the Perry Estate in Austin, Texas. Recently it was restored into it former glory Yacht Wood Flooring Review to serve as a luxury resort.
Right: the entrance hall. Photos: Douglas Friedman. A stone wall enclosed the entire compound. The acre estate was and is an oasis in the middle of Austin, Texas. The Italian Renaissance Revival mansion is surrounded by terraces, parterres and fountains, and listed on the National Register of Historic Places.
Inside, intricately carved wood and plaster molding, hand-wrought ironwork, and limestone details were combined with Mexican-style tile work for an overall ornate effect. Above: detail of the entrance hall. Beside that: the Living Room furnished with Chesterfield sofas.
The interior of the Perry estate was designed by Ken Fulk, interior designer. Their objective: relaxed European elegance with true gracious Texas hospitality.
The design team returned the historic components of the property to their former. The mansion is the centerpiece of the property. This building has an elevated, residential atmosphere as though arriving at the stately home of an old family friend.
Throughout the property, every space has. The second floor of the mansion is reserved exclusively for hotel guests. The redesigned en suite baths were clad in. Downstairs, the entrance leads to the main hall with a loggia, a terrace and the gardens.
Other rooms downstairs in the mansion function as they historically would have. Across from the mansion, next to the original carriage house is a newly built three-story inn with guest rooms and terrace suites surrounding a central courtyard. Throughout the estate the space has been furnished with a mix of custom and heirloom vintage pieces for an atmosphere that feels collected over time.
Custom millwork built-ins, rounded plaster archways, furnishings based on Italianate and Spanish Revival antiques, and bathrooms tiled in a classic star-and-cross pattern were all chosen to inspire visitors.
The vintage rugs and framed artworks were carefully sourced by the design team. The historic two-story Carriage House was updated and turned into a multipurpose facility, featuring a fitness center on the main floor and Auberge offices on the second floor.
The estate grounds, including the legacy swimming pool, were re-designed by Ten Eyck Landscape Architects. They added. They also took care of the restoration of Waller Creek as it flows through the property.
Designed by Clayton Korte, the new structure provides guests with vistas overlooking the historic gardens. Throughout the estate, the collection of vintage rugs and framed artworks were carefully sourced by the design team.
Far right: detail of the library. Beside that: the lounge of the Perry Mansion. Above: the oval book-lined library is set up for reading or quiet conversation with overstuffed chairs and a game table.
One of the suites in the newly built three-story inn of the Perry Estate surrounding a central courtyard. Custom millwork built-ins, rounded plaster archways, furnishings based on Italianate and Spanish Revival antiques.
The vintage rugs and framed artworks were sourced by the design team. The owner of this luxury penthouse property with a degree views of the city skyline is a single guy in his 30s. He had the dream of having a refined bachelor pad with all the trappings of a modern-day, luxury Hollywood set.
He asked Nikki Hunt to realize his dream. We turned to texture and layers to add warmth and atmosphere. Every space in the home became statement-making pieces. Bespoke design is certainly a hallmark of what we do. With international brand names so easily available, originality has become the new luxury, and bespoke furnishings can give a unique signature to a home.
Many of the furnishing pieces, including the sofas in the living room, the dining chairs, as well as the console in the entryway, are custom-made and created by Design Intervention and other brands such as Essential Home. Essential Home sees this style of interior as a stylish Yacht Wood Flooring You sanctuary from the stresses of life. This private Dubai residence represents the vision of Alessia Genova, the young Italian architect newly appointed Managing Partner of Tihany Design the first one in 42 years of the studio's history.
In designing the project she worked closely with celebrated local architect Khalid Al Najjar, developing interiors that both reflected and extended the philosophy of the exterior architecture. The three-story villa is contemporary and refined with a handcrafted, bespoke quality.
Each room features a balanced use of natural materials, hand chosen art and a curated selection of furniture and accessories. The open courtyards of the residence repeat key materials used inside, creating a sense of harmony with the outdoors.
They designed the latest Mandarin Oriental hotel of Saudi Arabia that will be ready late ! It has also become involved within the cruise industry, working extensively with Carnival brands including Seabourn and Cunard. Founded in the firm is led by its founder Adam Tihany along with his first-ever partner, Alessia Genova.
She began her career at Tihany Design in , and after rising to a senior designer position, held a pivotal leadership role for over ten years, culminating with her appointment as Studio Director in The Dubai project reflects the vision of Alessia Genova. In the kitchen, a brown marble island doubles as an art object against the feature red-mirrored wall. The ground level also includes a private gym, office and massage room. Throughout the interiors, strategically placed bold colors and special materials like oxidized Corten add elements of architectural sophistication, while hidden storage spaces and displayed art pieces play to the linear flow of the architecture.
Upstairs, the master bedroom overlooks the courtyard and pool below. A custom red gum accent wall plays against the wood floors and quartz colored area rug. His and her walk-in closets flank the elongated master bath, featuring a custom engraved limestone wall. Also on this level are the terrace, family room and four additional bedrooms located across the gallery corridor. At the lower level, the eight-seat home theater is reminiscent of a luxury space shuttle.
Its polished, curving walls provide the ultimate surround sound experience. By comparison, the sculptural courtyard furniture stands against a neutral travertine, creating a yin and yang between the two spaces. The curving outdoor staircase allows for access back to the ground floor. These pages: all living spaces at the villa in Dubai are focused on the pool. The famous interior designer Maxime Jacquet designed one of the apartments to be the model house for the four others.
We put a lot of attention into using pieces of furniture that are mid century and jazz them up with great classic furniture design pieces.
The power of staging and ensign was to create an out of the box environment: to create an idea for potential buyers of a wow factor when they walk into the apartment. The atmosphere that would let them fall in love with the space and make them eager to buy. I think the art that we used is always very powerful.
I was also able to use some art pieces that I designed in collaboration with Mira Aer, a Belgium company. The art really brings up the light and adds color to the space. Used touches of red by using china from Hermes to make the dining room look modern but yet classic. By using the emerald green color in the guest bedroom really makes each room look so different but yet they all are in the same spirit.
It was a straight away success. That is always the best interpretation of a space. It gives people the need to have more. Premier Stagers, the company where I am the head design, is the number one company in California for luxury staging. We have a reputation for how fast we are able to sell the house I stage because I understand how people want to live and what will be appealing in their eyes. Previous pages: Maxime Jacquet.
On these and following pages interior shots from the apartment in Old Hollywood designed and staged by Maxime Jacquet. The designers were inspired by a verse by the famous poet Wang Wei, Tang period. The area has not yet been developed on a large scale. The surrounding environment is a messy mix of high-voltage line towers dotting weed-strewn farmland. Right: the interior of the building is a continuation of the exterior, with the perforated plating elements.
A large, four-story atrium serves as a sandbox area and becomes the focal point of the entire space. Natural light comes in from the skylight that is surrounded by perforated plates, forming a space imbued with a sense of ritual.
The four volumes of the structure, refer to a stream of spring water flowing from the cracks in the rocks. In order to eliminate the visual impact of the messy surrounding environment, geometrical hills were designed to surround a square, which slowly rises as people enter the site.
Mountains, water, and marble are fused together in this undeveloped wilderness. Upon entering the building, visitors are drawn from the wilderness into a paradise. The building is enveloped within a perforated plating, forming a relatively enclosed space.
The curtain wall sections are slanted, nestled, and interlaced inside. The gap between the sections naturally forms the entrance of the building. The interior of the building is obscured by the white perforated plating, and as night falls, light shines through the perforated plates to make the whole building glow. To reflect the reputation of Jinan as the City of Springs, a large area of cascading water was created along the main avenue, with the water falling from 4-meter-high stone steps.
The main entrance on the second floor is concealed behind the cascading water and can be reached via a bridge. On the exterior part of this bridge is cascading water and on the inside part is a tranquil pool centered around a pine tree.
On the left a colorful work by Sarah Crowner American, b. Polyvinyl on canvas. On the right a work by Ha Chong-Hyun Korean, b. Oil on Hemp Cloth. A concrete part was added in and the structure became its L-shape. The structure had many previous users, including a water works and a large airconditioning supply company.
The structure was vacant for approximately ten years until Boots Reeder bought it and converted it to 12 condos. He renovated the building and took it back to its shell. Boots did the shell and the support infrastructure and sold each unit as shell. Owners could do his their thing, which resulted in every unit having its own style and image and personality. The property is now a combined office and residential complex. It is a modernist statement achieved with the use of space, form and light.
It is both complex and simple and evokes a quiet sense of wellbeing. It is a space that transcends time. That is evident in the general office space that features an original wood formed concrete wall, enhanced by special lighting to emphasize its texture. Walls were fitted at key locations with museum quality art installation tracks to facilitate a rotating art collection.
Light filled spaces harmonize modern aesthetics and amenities with the original industrial architectural elements. The interior renovation achieved the balance between high quality executive workspaces and the scale and detail of an intimate and elegant residence. And while modern and contemporary in design, the concrete evokes memories of the past.
Corridors and open spaces celebrate the concrete structure. Solid walls and frameless glass doors and room fronts were sized and designed to balance transparency and connectivity for focused work and meetings. The executive offices were appointed with hand knotted Tibetan carpets made with Tibetan wool and Chinese silk and chinois silk wall coverings from Switzerland. Motorized draperies and shades extend along the entire width of the outside windows.
The building fenestration was replaced with new, solar efficient glazing panels. Balconies were remodeled and clad with new porcelain tiles. The central conference room is accented by an original brick wall and features a quartz clad credenza with integrated refrigerator drawers and waste recycling units. The break room and ancillary kitchen galleys were designed in a light and modern palette to reinforce the interior vocabulary.
The whole interior is illuminated with the latest technological lighting. Many different types of LED fixtures and lighting techniques were included.
The light is designed to be both controlled and dramatic. It is an essay in detail. And while modern and contemporary in design, the concrete reflects memories of the architectural past.
Overleaf: the industrial doors of one of the elevators.
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